- Around the turn of the century,
- photography became much
- more democratically
- available.
- Eastman Kodak had a motto, “You press the button,
- we do the rest,” and
- the album became ubiquitous in American households.
- What distinguishes this is that a teenage boy
- has taken that structure
- and done something totally unique with it.
- The teenage boy has laid out
- his romantic ideal. He is referencing the kinds of memoirs that would’ve been written by a Casanova at the end of his life.
- Piecing together
- private musings,
- photographs,
- illustrations,
- The entire album is a kind of
- study of women.
- Young Daniel has handed out these questionnaires
- to capture what he considers the essence
- of each of these individuals.
- In a way it really captures teenage irreverence.
- Each spread has its own quirky uses of photography.
- This page devoted to a woman named Mary Cared,
- and cut out a tiny little image
- he must have gotten back multiple prints of this group picture,
- and pasted it down onto the back of this envelope.
- When you open up that envelope, we have yet another copy of this picture
- except for he has cut out the heads of all the people he’s not interested in looking at.
- What interests me is the way in which this person
- was using photography in a way that it really hadn’t been used before.
- and what people’s relationship to photographs can tell us,
- which ideals of beauty were constantly being mediated
- through photography and through this rapidly expanding media culture.
- Unsuprisingly, Daniel Rochford became a journalist and this--like all great literature—the more precise he becomes about
- his own existence, the more it opens out onto t
- he most general relatable experience.
- This entire album is really kind of a self-portrait.
Dedicated to MyselfDoug Eklund
Girls I Have Known, 1916–17
Dan Rochford (American)
Gelatin silver print; photomechanical reproductions
Joyce F. Menschel Photography Library Fund, 1998 (1998.103)
Dan Rochford (American)
Gelatin silver print; photomechanical reproductions
Joyce F. Menschel Photography Library Fund, 1998 (1998.103)

