Power & Privilege

These articles address how art can create and challenge power and privilege.

A view of the Medieval Sculpture Hall, with a blue plinth supporting sculptures from many different civilizations

Crossroads Explores Cultural Connections across the Globe

 In a new set of installations, The Met spotlights universal themes.

Oil painting of an seated alchemist reading in his workshop with two assistants

Alchemy, Science, and Innovations in the Decorative Arts

Early modern rulers used scientific objects to express magnificence—but their "science" was more expansive than ours.

A massive green diamond, cut in a pear shape and set in an ornate silver and diamond ornament

Steadfast and Pure: How the "Dresden Green" Diamond Became a Symbol of Saxon Rule

At 41 carats, the gemstone is the largest known natural green diamond, and is on view now at The Met.

Miss Chief Eagle Testickle, Kent Monkman’s Alter Ego

“I wanted a persona to really reflect our point of view at the time that colonial policies were beginning.”
A artist Kent Monkman stands in The Met's Great Hall, looking around

Kent Monkman Reverses Art History’s Colonial Gaze

The celebrated Cree artist arrives at The Met—along with his gender-bending, time-travelling, shape-shifting alter ego, Miss Chief Eagle Testickle.
Poet Wendy S. Walters in the European Sculpture and Decorative Arts galleries

Poet Wendy S. Walters confronts the power dynamics at play in creating and viewing Carpeaux’s Why Born Enslaved!

A bronze figure sits in the Metropolitan facade

Who are Wangechi Mutu’s NewOnes?

“I’ve chosen to stick with the subject of the female body as a platform for what we feel about ourselves as humans.”
A bronze figure sits in the Metropolitan facade

Science Fiction, Migrancy, and Wangechi Mutu’s NewOnes

Mutu muses on her sculptures’ relationship to migrancy and science fiction.

Mutu inaugurates The Met’s annual facade commission with The NewOnes, will free Us.

Black-and-white photograph of fairy-tale castle perched on a mountain

Stolen Treasure: Art and Archives at Neuschwanstein Castle

How James Rorimer, future director of The Met, visited a fairy-tale castle in Germany and discovered a trove of paperwork documenting Nazi art looting in World War II.

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