Power & Privilege

These articles address how art can create and challenge power and privilege.

Decoding the Silver Caesars: A Conversation with Mary Beard and Julia Siemon, Part Two

Senior Editor Sumi Hansen interviews Cambridge classicist Mary Beard and Assistant Research Curator Julia Siemon about the stories behind the images on the famous Aldobrandini Tazze.

Decoding the Silver Caesars: A Conversation with Mary Beard and Julia Siemon, Part One

A conversation with Cambridge classicist Mary Beard and Assistant Research Curator Julia Siemon about the exhibition The Silver Caesars: A Renaissance Mystery, on view at The Met.

Unearthing Hatshepsut, Egypt's Most Powerful Female Pharaoh

Digital Editor Pac Pobric looks to a statue of the Egyptian pharaoh Hatshepsut to explain how a female king was depicted by artists.

The Magical Powers of Egyptian Faience

Digital Editor Pac Pobric introduces a new Heilbrunn Timeline of Art History essay about Egyptian faience and how it was made.

“How does an outsider get in?” Kerry James Marshall on his painting, Untitled (Studio)

“Where are the boundaries of American art?”

"Can a work of art reclaim history?" Scholar David Driskell on Aaron Douglas's Painting Let My People Go.

Artist Alexander Melamid reflects on Ernest Meissonier's 1807, Friedland in this episode of The Artist Project.

"The central problem of Western civilization is reduced to one guy who’s got to puzzle it out for himself."

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